Eternal Summers will detonate your chill vibe. While you've no doubt spent the hot months absorbing ultraviolets and soaking up beachy sounds, Nicole Yun and Daniel Cundiff have been cutting loose in the back woods, creating their fuzziest, jangliest statement yet: Silver, out on Fall 2010 on Kanine.
The inland duo's music comes out of the forests of Roanoke, VA, where the mountain vistas are inspiring but the scene is mostly cover bands. Both members are a part of the Magic Twig Community, a collective of nine like-minded musicians that cherish boundless creativity and weirdo indie pop. When Yun, who sings and plays guitar, moved to Roanoke, she originally played with another drummer, but when he bailed before a gig, Cundiff jumped in. What resulted was something very, very punk, and Yun and Cundiff knew they had the right musical chemistry. That's when Eternal Summers was born.
Feeling no need to flesh out their lineup, the duo decided to treat the open spaces as an instrument. When they call it dream punk, they're only partially joking. Taut, hooky and often wide-open, their sound is simple but it takes up room. They employ the quietest quiets and the loudest louds-from hazy, clanging reveries to rapid No Wave squalls. They've received adoring write-ups since the release of their self-titled debut EP, available on 10-inch vinyl: Pitchfork called "Lightswitch" a song "you need to hear now" and posted the "also-awesome" "Fall Straight Back." The band has since played with the likes of Harlem, Dum Dum Girls, Best Coast, Dan Deacon, Beach Fossils and Wild Nothing to name a few. On Silver, Eternal Summers has streamlined and then leaped beyond their original sound.
Where the EP was sun-drenched and simple, Silver is far-reaching and ambitious despite its minimalist drums-and-guitar cast. The album mixes 90-second fist-pumpers and dreamy, six-minute meditations, noisy highs, and uncomfortably quiet hums. Silver captures the energy of their live shows–which has inspired the lead single "Pogo"–and calls to mind early indie legends like the Raincoats, Galaxie 500, Beat Happening, and Unrest.
8D Industries, LLC
Eric McGauley, better known as Eros, is an American electronic music artist based out of Orlando, Florida. Eros began writing and producing electronic music in high school, followed by releases on a multitude of Florida based labels, including his own D'funkt records. In the 90s, Eric first had success with a few of his songs being played in regular rotation on local commercial FM radio. This got the attention of Robins Entertainment and Tommy Boy record scouts, both who contacted him after the release of "What's that Sound," a single that featured a sample of rapper Skee Lo. During this time Eric played frequently at popular events such as Zen Festival in Los Angeles, Ultra Music Festival in Miami, and many other venues and clubs throughout the U.S. Eric currently has 6 full length albums, 15 vinyl releases and over a dozen appearances on compilations such as Koch's Beatles Re-grooved series. Eric has recently branched out, working on styles outside of the breakbeat dance realm, creating solid productions in the genres of trip hop, dubstep, and electronic rock/pop. This experimentation has paid off (literally!) with newer tracks being licensed to ads for Quicksilver sportswear and Burton Snowboards, as well as a track appearing in NBC's hit show Smash and the feature film Bachelorette. This year also marked the collaboration between Eros and DJ Magic Mike, a childhood hero, best known as one of the pioneers of the Miami bass sound. This creative combination helped to launch Magic Mike's album to number one on Beatport.com. Along with recent tracks being released on Caffeine, Zone, Bad Baby and EA Records, Eric is working on several remixes for heavy hitters in the electronic music scene and finishing up the next full length album, scheduled to be released in the near future.
The New Mastersounds
The New Mastersounds are a four-piece band based in Leeds, England, whose modern take on vintage soul-jazz, funk and rock draws influences from Jimmies McGriff, Smith, and Hendrix, as well as their most closely-associated mentors, The Meters. Try to imagine Grant Green and Lou Donaldson having a fight in a Hammond Organ shop while James Brown holds the coats, and you have some idea of what to expect from this band.
Their first single, One Note Brown, was released on Blow It Hard Records in 2000 and was passionately championed by acclaimed Northern Soul and funk DJ Keb Darge. To date, the band has released four studio records: 102%, This Is What We Do, Be Yourself, Keb Darge Presents... as well as The New Mastersounds Re::Mixed, and Live At La Cova. Also of note: their single, "Your Love Is Mine" featuring Corinne Bailey Rae, was used in the 2007 Warner Brothers movie Feast of Love.
Having toured throughout Europe, Japan and the USA, the NMS have earned global recognition as a key band in the 'New Funk' scene. But purists beware: their unique blend of funk, rock, soul and dance music is hard to sum up and doesn't fit neatly into any one genre.
Headed soon to a city near you, The New Mastersounds deliver gritty grooves and deep rhythms in clubs, theater venues and festivals alike. Their live shows will get you up dancing and hold you there intoxicated by the funk until last call- when you'll stagger home, sweaty and exhausted, on a wave of euphoria.
Led by guitarist and producer Eddie Roberts, The New Mastersounds feature Joe Tatton on Hammond, Pete Shand on bass and Simon Allen on drums.
One of hip-hop's most in-demand producers, New Jersey native Illmind has provided soundscapes for hip-hop royalty like 50 Cent, Eminem, Little Brother, Redman, 2pac, and Scarface. Equally comfortable in hip-hop's underground or mainstream spheres, Ill teamed up with Nature Sounds in 2011 to release his first instrumental project, Behind The Curtain.
When he's not in the studio creating, Illmind stays busy. His collaborative album with Skyzoo, Live From The Tape Deck, was recently released to critical acclaim, and his monthly live producer showcase "B.L.A.P." has become the premier platform for the top young production talent in the Big Apple. In addition, !ll teaches at NYU's Clive Davis Department of Recorded Music, schooling the next generation in a class called "Future Music Moguls."
African Dope Records and African Dope Publishing
The music of Sean Ou Tim, aka Mr Sakitumi, takes its cue from the likes of Ninja Tune, DJ Krush, Bonobo, RJD2 and DJ Shadow, featuring live sampling, fx, turntable scratching and upright electric bass and bass guitar. Sakitumi's shows are fun and full of passionate performance, making him a great entertainer for audiences., which have included Oprah Winfrey, Nelson Mandela and Miriam Makebe. Other appearances include festivals such as Pukkelpop (Belgium), Lowlands (Netherlands), Face Fest (Finland), Oppikoppi (South Africa), Ramfest (South Africa), Sakifo (Reunion), and Popkomm (Germany), as well as venues like the Havana Club and the Capitol Theatre in Pretoria.
Hit City U.S.A.
tell the franks punk rock died the day it was defined and they'll tell you to piss off. remind them that sid vicious died almost a decade before they were conceived and they'll laugh in your face. talk about detroit or london and they'll interrupt you with a smirk so sardonic you'll crawl back to whatever old folks' home you came from with your bigot tail tucked so far between your legs you won't walk right for days.
the franks emerged on the l.a. scene in 2008 not long after frontman jean don't - having spent 21 years throwing fits and raising hell inside his own head - finally got sick of thinking and breathing punk and recruited a team to live it out loud: drummer mimi malone and bassist ron ray gunn. they were to bring it back; whatever it was that got lost when the clash threw in the towel leaving rock empty of anything but eye-makeup and radio promoters.
so, talk to the franks about how punk rock was at least a little resurrected when britney spears shaved her head and how it died all over again at the sight of her extensions, tell them that living in l.a. looks shitty on a punk's résumé, and tell them that they'll be fighting a venomous enemy taking on a world of commercial artistry...
frankly my dears, they won't give a f*ck.
the franks have shared the stage with contemporaries such as wavves, the soft pack, and best coast. duh is their second ep.
Some bands may rule the night, but The Dimes are the kings of Sunday morning.
For much of the last decade, these boys from Porland have been creating a world… A sunny, slow one with gorgeous harmonies, some classic 60’s pop songwriting, and lush, vibrant guitar tones… one reminiscent of a somewhat slower time where artists took their time and crafted something they love.
Formed in 2005, the group originated when guitarists John Clay and Pierre Kaiser decided to form a band with “small songs, ones that would be worth more than bigger ones...like the coin” The duo quickly expanded to a quartet with drummer Jake Rahner and bassist Ryan Johnston and the classic Dimes lineup was born.
The original quartet toured extensively for several years and released a few EP’s, but they really found their sound with the 2007 release of “The Silent Generation”. Inspired by stories from depression-era newspapers that the band discovered underneath the floorboards of their 1890’s home, “Silent Gen” introduced the world to many of the bands most well-known songs, including Dimes classics “Paul Kern Can’t Sleep” (a true story about a WWI vet who was shot in the head and lived, but never slept again for 30 years) and the bands most well-known track, “Catch Me Jumping.” An exuberant uptempo romp with a unforgettable melody, “CMJ” is best known for it’s “whoa whoa whoa” chorus that have been has featured on dozens of network television shows and independent films in recent years. SoundExchange estimates that that one track has been downloaded/streamed/played well over 2,000,000 times from Pandora, Myspace and the like.
After several tours and some additional EP’s, the band followed up with their second full-length effort “The King Can Drink The Harbour Dry” in 2010. The King record revealed a lusher, folkier direction for the band, with some california-country touches such as banjo, pedal steel and elements reminiscent of Neil Young’s Harvest recordings. The band also expanded their live show to a 7-piece to recreate the dense arrangements found on tunes such as “Save Me, Clara” and “Damrell’s Fire.” The record was well received, receiving accolades from NPR, Spin, Under the Radar and MTV.
In the last two years Clay and Kaiser have focused on developing their production skills more and more, specifically with an eye towards television and film… which has led to a slew of soundtrack work for the two, scoring the soundtrack for the successful indie film “Summer Snapshot” (which featured at the Tribeca Film Festival, Claremont-Ferrand etc ) and over 50 television spots on MTV, ABC, the CW and the like. The band has continued to gain notoriety in the film industry, gaining accolades from many notable filmmakers, including Quentin Tarantino, Cameron Crowe, and Ian McCluskey.
Moving forward the Dimes duo has been collaborating with singer Kelly Anne Masigat of late and expect a third Dimes release in early 2013. The band has hinted that it will be “more of an uptempo affair… Johnny’s melodic sense is still there, but the guitar tones might be the thing we’re the most excited about, and Kelly’s harmonies are just lovely. Best stuff we’ve ever done, hands down.”
Bang Bang Boogaloo
The Dead Exs
"The Dead Exs' debut Resurrection has such an authentic vibe. It's a vibrant recording, but it also sounds like it could have been released at any time over the last forty years." - Jason Kundrath, Pop Break (Mar 22, 2011)
"With the current revival of rock music demanding its place among New York City nightlife, The Dead Exs are within the vanguard of this musical re-explosion. " - Garrett Prince, The Hurdy Gurdy (Jan 24, 2011)
Pattiillo is a producer with a credit list from Alanis Morrissette to the Hold Steady, The Black Crowes to the Beastie Boys and last year produced the Reni Lane debut for Universal Motown. Wirth has toured extensively in Europe and the US with various bands and was a member of the Warner Bros act Sweet Lizard Illtet.
Pattillo's love for the upbeat raw recordings of Howlin' Wolf and the garage rock of The Sonics inspired him to go back to his roots and record a true to life thrashing blues record.
Century Media Records / Lonely Planet Productions
And You Will Know Us By The Trail of Dead
Formed in late 1994 by singers/guitarists/drummers Conrad Keely and Jason Reece, Trail of Dead has evolved over the years expanding their line-up while still being creatively driven by the core founding members. Friends since childhood, Keely and Reece started playing music in the indie rock town of Olympia, WA and eventually relocated to Austin, TX where they started ...And You Will Know Us by the Trail of Dead. Their first release was a self-titled album that came out on Trance Records in 1998 and was succeeded by Madonna in 1999 on Merge records. ...Trail of Dead toured the US with Superchunk shortly after and in 2002 they released Source Tags and Codes on Interscope Records. Over the next four years the band released two additional albums on Interscope Records – World's Apart and So Divided before parting ways with the label in the fall of 2007. In the Spring of 2008, ...And You Will Know Us by the Trail of Dead launched their Richter Scale Imprint and thanks to a partnership in the US with Justice Records and in Europe with Superball Music, their sixth studio album The Century of Self was released in February 2009. In the Spring of 2010 the band entered a worldwide deal with Superball Music and their Richter Scale Records Imprint and they released TAO OF THE DEAD in February 2011. In the summer of 2012 the band headed over to Hannover, Germany to record their eight full-length studio album Lost Songs – due out October 22nd on Richter Scale/Superball Music. Currently, Jason and Autry are based in Austin, TX, Conrad is based in Cambodia and Jamie lives in LA. FACTS ON LOST SONGS: Hello, we are ...And You Will Know Us By the Trail of Dead. This is our eighth album, it was recorded this summer in Hannover, Germany. The music was partly inspired by the apathy to real world events that has plagued the independent music scene now for over a decade. It was also inspired by artists such as the Cure, KARP, Ros Sereysothea, Human League, Hildegard von Bingen, and a few others. We feel that because the lyrics can say more about the album than we could, we would simply share them with you. We would like to dedicate our efforts to Pussy Riot, and any and all artists who have attempted to exercise their creativity under the oppression of government, as well as the endemic oppression of an indifference to passion present in our mainstream culture. - Conrad Keely, Phnom Penh 2012 INFLUENCES INCLUDE: Fugazi, Melvins, Bikini Kill, KARP, Unwound, Sonic Youth, Led Zeppelin, Rush, Genesis, Pink Floyd, Public Enemy, Yes, J.S. Bach, Vivaldi, etc. TOURED/PERFORMED WITH... Superchunk, Secret Machines, Blood Brothers, The Strokes, Yeah Yeah Yeahs, Doves, Audio Slave, Foo Fighters, U2, The Sex Pistols, The Sword, Mogwai, Dinosaur Jr., Queens of the Stone Age, Explosions in the Sky, Peaches, Spoon, My Bloody Valentine, Dethcock, Pains of Being Pure at Heart, Sleighbells, Surfer Blood, Rival Schools RANDOM FACTS: - Source Tags & Codes - Received highest possible score of 10.0 on Pitchfork. - Conrad and Jason met in high school in Hawaii - Went to college together at Evergreen State College in Olympia, WA - Moved to Austin, TX and started playing as a guitar and drums duo under the name You Will Know Us by the Trail of Dead - Conrad has done album artwork for band's albums as well as others including The Sword, Fugo, Amanda Palmer and Eagle Claw and has showed his work at galleries across the world.